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"You know when you see trailers, and it’ll say ‘Golden Globe winner’ and then the actor’s name? When Erykah Badu told Zach Witness, an unheralded producer from East Dallas, that she might like to come to his home studio and work on some music, he didn’t dare believe her.Badu had come of age in the late nineteen-eighties, in Dallas’s embryonic hip-hop scene; two decades later, as Witness nursed his own obsession with hip-hop, he tried to live up to her example. called White Chocolate, he entertained black and Latino crowds at the local skating rink.) Last year, he paid tribute to Badu with a faintly psychedelic remix of one of her best-loved songs, “Bag Lady,” which he posted online, along with a note in which he confessed that he viewed her as “a second mother.”The remix was just one small sign of Badu’s enduring appeal and influence.Although she sometimes calls herself Analog Girl, she is adept at social media, and when she heard Witness’s remix she responded, on Twitter, with a four-letter word of praise: “Oooh.” Badu and Witness traded messages, and she told him that she had been thinking about recording a version of “Hotline Bling,” the viral hit by Drake, built around a passive-aggressive reminder to an old flame: “You used to call me on my cell phone.” This exchange scarcely prepared Witness for the shock of seeing Badu, a few days later, at the front door of his house—the same house where he had once watched her on television.
Midway through postproduction on his eighth movie, the Western The Hateful Eight, the director discusses writing scripts by hand, ‘90s nostalgia, and becoming — relatively — mellow with time. ’ I go, ‘Yeah, I thought I could lose that.’ She said, ‘No, I think that’s kind of important.’ So we tried it, and she was right. That was a good note.”Tarantino at the box office: Reservoir Dogs (1992): ,832,029 Pulp Fiction (1994): 7,928,762 Jackie Brown (1997): ,673,162 Kill Bill: Vol. 2 (2004): ,208,183 Grindhouse (2007): ,037,897 Inglourious Basterds (2009): 0,540,719 Django Unchained (2012): 2,805,434Tarantino and Rodriguez’s tribute to ’70s exploitation cinema, consisting of two horror films (Tarantino’s Death Proof and Rodriguez’s Planet Terror) released as a double feature and padded with trailers for imaginary movies, like Werewolf Women of the SS. Robert Rodriguez and I had gotten used to going our own way, on these weird roads, and having the audience come along."As an actor, you prefer to put that kind of energy into something creative. You do kind of go, 'I'm losing my mind.'" "I'll never be Jennifer Lawrence or Tom Cruise," he admits, "someone who can hold a movie and then be charming and charismatic doing promotion. But at least I'm now comfortable just being myself." And being himself -- with the added title of "Golden Globe winner" -- is reward enough."It would've felt a tad greedy to get a nom from them this time around," Taylor-Johnson explains.To wake up half-dressed and raped by the man that said he was going to love me like a father?That’s pretty sick,” one of the women, Barbara Bowman, 48, said of her experiences with Cosby in the '80s.